Date Night

(USA 2010)

I love me some Tina Fey, I usually like Steve Carell, and I certainly won’t complain if Mark Wahlberg is shirtless in every scene. Add James Franco, Mila Kunis, Mark Ruffalo, Kristen Wiig, and even Common, and you’d expect to have a winner on your hands. Right? Wrong.

Date Night is a cute adventure film, but it’s certainly not an adventurous undertaking. It’s formulaic, predictable Hollywood milquetoast aimed at married suburban couples—director Shawn Levy’s specialty. Fey and Carell play the Fosters, a normal, middle-aged, overworked New Jersey couple whose longtime marriage has lost its mojo. They do date night periodically to keep things alive—it doesn’t seem to be working. One night, they decide to be adventurous and head to Manhattan. When they learn that the wait for a table at an exclusively hip restaurant will be a few hours because they don’t have a reservation, they pretend to be another couple, the Tripplehorns, to snag theirs. The Fosters end up with way more excitement than either of them bargained for after a pair of mobsters (Common and Jimmi Simpson) confronts them about a jump drive their boss (Ray Liotta) wants.

Fey and Carell have a sort of chemistry, but it’s benign. They do this thing where they imagine the conversations that patrons at other tables are having—it’s cute and very Seinfeldian. The Maitre D’ (Nick Kroll) is funny because he is such an asshole—in a David Spade way. Other than that, the laughs here are far and few between. The problem isn’t the actors—it’s Josh Klausner’s lame script, which plays out like a bland and weird ripoff of After Hours, Adventures in Babysitting, and True Romance. Date Night has a few good lines and a few good scenes, but not enough to make it funny for very long.

88 minutes
Rated PG-13

(TBS) D+

Spotlight

(USA 2015)

The Roman Catholic Church sex abuse scandal of the early millennium shocked even far fallen Catholics like me. I remember the skeeves I got when I heard that one of the priests from my old parish was “involved”– and some of his accusers purpordedly were former classmates of mine. And it all came to light while we were still reeling from 9/11. O tempora o mores!

Sticking to a period of about eight months with a methodical, deliberate pace that slowly bubbles to a boil, Spotlight tells all the twists, turns, obstacles, and setbacks The Boston Globe’s special investigations team faced in exposing the systemic coverup within the Boston Diocese, executed by Cardinal Law (Len Cariou). No one believed it at first– not even The Globe, which as we learn had information years before. Spotlight grabs you from the get-go and locks you in, letting bits and pieces of evidence mount. The setup is what you’d expect from a film about investigative reporting.

Spotlight is an actors’ movie: drab, colorless sets and straightforward camera work let the ensemble cast work the drama. So, what about the actors? Not a single bad performance here. Michael Keaton, Liev Schreiver, Mark Ruffalo, and Stanley Tucci particularly shine. It’s nice to see Billy Cudrup again. Jimmy LeBlanc (Patrick) is a small but wrenching role, and I swore he was a brother of Chris Evans (he’s not). Rachel McAdams and Brian d’arcy James both work their roles, but their characters are superfluous. John Slattery is amusing, as usual; but his character is essentially Roger Sterling from Mad Men. Minor flaws aside, I see some definite Oscar potential here.

Side note: this was my first visit to the brand new ArcLight Cinema at New City. Not bad, though I need to see another film there to decide whether I like it.

(ArcLight) B+

http://spotlightthefilm.com

 

Infinitely Polar Bear

(USA 2015)

Ah, the ups and downs of growing up during the pre-divorce Seventies, not only in a single-parent home but also with a bipolar dad. Directed and written by former The Larry Sanders Show writer Maya Forbes, Infinitely Polar Bear is a warm look back on a less than ideal situation.

Imogene Wolodarsky and Ashley Aufderheide as the lucky daughters create a believable chemistry that works really well with the subject matter. Mark Ruffalo’s performance is outstanding even if it probably isn’t one for which he’ll be remembered—his character’s antics are laugh-out-loud funny at times, and he gives his character (Channing) a loveable dorkish quality. I enjoyed Infinitely Polar Bear: it was funny and touching at once—much like an Afterschool Special.

(Landmark Century) B

http://sonyclassics.com/infinitelypolarbear/

Foxcatcher

(USA 2014)

A creepy middle-aged chemical magnate (Steve Carell) sponsors a floundering Olympic wrestler (Channing Tatum) ultimately just to secure the athlete’s older brother (Mark Ruffalo) as coach for a start-up team. What can possibly go wrong?

Carrell is over the top creepy and weird in a role that is tough to imagine him taking, but such a great move. My eyes were fixed on this like a train wreck. And I mean that as a compliment. Based on a true story, I have no idea how much of E. Max Frye and Dan Futterman’s screenplay is accurate. Director Bennett Miller makes it such a killer film, though, that it doesn’t really matter.

With Sienna Miller, Vanessa Redgrave, Anthony Michael Hall, Guy Boyd, Brett Rice, Jackson Frazer, Samara Lee, Francis J. Murphy III, Jane Mowder, David ‘Doc’ Bennett, Lee Perkins, David Zabriskie

134 minutes
Rated R

(AMC River East 21) A-

http://sonyclassics.com/foxcatcher/