brazil

Call Me by Your Name

Link posted on by moviebloke

(Italy / USA / France / Brazil 2017)

“Call me by your name and I’ll call you by mine.”

— Oliver

Very seldom does a film leaves me speechless, but that’s just what Call Me by Your Name did. For me, it’s one of this year’s most unexpected cinematic pleasures.

Set during the summer of 1983, precocious and solitary 17-year-old Elio Perlman (Timothée Chalamet) is spending another summer with his parents at their Italian villa. It looks like business as usual — reading, writing, and playing piano — until ruggedly handsome and tan American graduate student Oliver (Armie Hammer) shows up. Oliver, with his penchant for being overly casual (particularly with his use of “later” to bid farewell) and his love of the Psychedelic Furs, will be staying in Elio’s room for the summer while working as an intern for Elio’s father (Michael Stuhlbarg), a professor who’s finishing up a book.

Wow. Director Luca Guadagnino hits the nail right on the head on so many things he gets at here: the perversity of male adolescence, the confusion of sexual awakening and lost innocence, the single-mindedness of desire, the thrill and frustration of seduction, and the agony of loss, all of it before a gorgeous and sunny Italian backdrop. He’s sensitive to the subject matter, which centers on sexuality, but he doesn’t cheapen the story or its characters. It’s a tricky feat.

The pace may be frustrating at times. However, being an act of seduction itself, Call Me by Your Name is nonetheless erotic, intimate, honest, and ultimately heartbreaking. That’s an awful lot to fit into one film, but Guadagnino does it, and he does it exceptionally well. It helps that he recruits excellent actors, particularly Chalamet, who brings a credible vulnerability to his character. The final scene is beautifully simple, effective, and hard to watch even while the credits roll.

I had a remarkably similar experience as Elio when I was barely 18 years old. Call Me by Your Name is more romantic, but seeing it play out reminded me of someone from my own past. I never go back and read a book after seeing its film adaptation, but I’m compelled to read André Aciman’s novel now.

With Amira Casar, Esther Garrel, Victoire Du Bois, Vanda Capriolo, Antonio Rimoldi, Elena Bucci, Marco Sgrosso, André Aciman, Peter Spears

Production: Frenesy Film Company, La Cinéfacture, RT Features, Water’s End Productions

Distribution: Sony Pictures Classics

132 minutes
Rated R

(Landmark Century) A-

http://sonyclassics.com/callmebyyourname/mobile/

El Revenge [La Vingança]

Link posted on by moviebloke

(Argentina/Brazil 2016)

Sweet but not exactly savvy Brazilian stuntman Caco (Felipe Rocha) finds out the hard way that nice guys finish last. He surprises his girlfriend, Julia (Leandra Leal), at the restaurant where she works: all set to propose, he stumbles upon her and her boss in flagrante delicto in the pantry. Her boss, arrogant macho celebrity chef Facundo (Adrián Navarro), isn’t just hot, rich, and famous—he’s also Argentinian, which adds insult to injury.

Caco’s stunted party boy buddy Vadão (Daniel Furlan) does what any brah would under the circumstances: he takes Caco out to get wasted. While they’re out, Vadão surmises that what Caco needs to forget Julia is a roadtrip to Argentina to bag as many Argentinian babes as possible. It’s a weird way to get back at her and Facundo. Caco emphatically declines—that is, until he sees Julia’s Facebook post saying she’s moving to Buenos Aires with Facundo. He changes his mind but doesn’t tell Vadão why. They take off in a yellow Chevy Opala from the ’70s.

Honestly, I’ve seen this road movie many times before. Even so, I enjoyed El Revenge; director and cowriter Fernando Fraiha has a lot of fun with broken hearts, national pride, and fútbol (a.k.a. soccer) rivalries. The script isn’t the most original but the adventures are still entertaining: a customs agent who looks like Bruce Willis confiscates Vadão’s supply of Viagra, a beautiful woman (Aylin Prandi) walks in on Caco while his pants are in the washer in a motel laundry room, the car breaks down after the guys pick up a hitchhiking bride (Ana Pauls), and they share a competitive ride to the airport with a van full of condescending soccer fans. Raindrops can’t keep falling on Caco’s head forever, can they?

With Sebastián Presti, Gastón Ricaud

Production: Querosene Filmes, Globo Filmes, Bionica Films, Zarlek Producciones, Telecine Productions, Downtown Filmes

Distribution: Paris Filmes

90 minutes
Not rated

(AMC River East) C+

Chicago Latin International Film Festival

http://decimequesesientelavenganza.com

http://www.querosenefilmes.com.br/en/movies/la_vinganca

Pauline [La patota]

Posted on by moviebloke

(Argentina/Brazil 2015)

I left Paulina perplexed. It starts off well: smart lawyer girl (Dolores Fonzi) unfulfilled with her budding cateer in law decides to leave Buenos Aires to teach in a remote underdeveloped village– much to the dismay of her elitist father (Oscar Martinez), a judge. Not only does she face culture shock and adjustment pains, but she is raped due to a case of mistaken identity. Paulina, however– as she tells her incredulous boyfriend (Esteban Lamothe)– must deal with it her way.

Paulina contains some great heated exchanges between her and her father, and Fonzi and Martinez both approach their roles with skill and gusto. That said, the story is broken up and not entirely chronological, which makes it confusing and a bit hard to follow. What really lost me was what happens after the rape; Paulina’s reaction goes beyond idealistic to weird and unbelieveable– I’ll leave it at that. Unfortunately, the audience was RUDE and DISTRACTING, compounding my frustrations. The whole experience warranted a great big “whatever.” I missed Project Runway for this?

(AMC River East) C

Chicago International Film Festival

https://www.facebook.com/LaPatotaFilm