(USA / Canada 1994)
“I take what I need and I move on. And if people can’t move with me, well then I’m sorry.”
Wow, I completely forgot about this tawdry exposé made for TV — American TV, which is even worse — chronicling Madonna’s early years in New York City. It aired on Fox in the mid-nineties, and it’s actually amazing only for how awful it is. All the stops are pulled out, and it’s a trainwreck: the overriding theme is that Madonna is an ambitious whore. OK, National Enquirer.
Based on Christopher Andersen’s 1991 biography — totally unauthorized, I add — Michael J. Murray’s script is just plain sad. Some of it is remarkably accurate, but some of it…not so much. I recognize every single interview where he culled material to tell the Material Girl’s story — in Time, Rolling Stone, Vanity Fair, Interview, and a few other magazines. He doesn’t just lift background, he lifts dialogue. Verbatim. That opening monologue is straight from a letter to Stephen Jon Lewicki in which she begs to appear in his softcore film A Certain Sacrifice. The characters are all real people even if their names are changed: her donut shop manager (Kenner Ames), Dan Gilroy (Jeff Yagher), Camille Barbone (Wendie Malick), Mark Kamins (Mitch Roth), Seymour Stein (Don Francks), frequent collaborator Steve Bray (Ephraim Hylton), and last but not least her father, Silvio Ciccone (Dean Stockwell).
I’m mildly impressed that her mother (Jenny Parsons), shown entirely in black and white flashbacks, even comes up. And the many guys she slept with, some of them with a purpose. And that gumcracking? Brilliant!
Terumi Matthews plays a young Madonna, and I’ll give her this: she nails the megastar’s ideosynchrocies perfectly! However, the vignettes and Catholic imagery stolen straight from the video for “Oh Father” are so lame that I feel like I should say a rosary after seeing this. So should you. Don’t even get me started on where this story starts — the first MTV Video Music Awards? Really? She was already on her second album by then.
In any event, Madonna: Innocence Lost is not flattering, but it’s still a hoot. It plays on Madonna’s bad side, like “Blond Ambition” is a bad thing. The problem is, this approach fails when you’re dealing with someone who used that very name for one of her biggest tours. Shocking? Fuck no.
With Diana Leblanc, Nigel Bennett, Dominique Briand, Tom Melissis , Christian Vidosa, Dino Bellisario, Kelly Fiddick, Gil Filar, Maia Filar, Diego Fuentes, Matthew Godfrey, Evon Murphy, Stephane Scalia, Chandra West
Production: Fox Television Studios, Jaffe/Braunstein Films
Distribution: Fox Network, RTL Entertainment (Netherlands), True Entertainment (UK)