Thoroughbreds

(USA 2017)

Newcomer Cory Finley’s nihilistic dark comedy Thoroughbreds tells the story, as one of its promotional posters puts it, of good breeding gone bad. Two suburban Connecticut high school girls, misfit Amanda (Olivia Cooke) and go getter Lily (Anya Taylor-Joy), reconnect under the guise of tutoring. They were friends in grade school until Lily’s father died; now Amanda’s mother (Kaili Vernoff) is paying Lily to hang out with her daughter, who has a mystery mental disorder that renders her incapable of feeling emotion.

Amanda meets Lily’s stepfather, Mark (Paul Sparks), a rich, domineering, and caustic control freak. Lily hates him but gets upset at Amanda’s suggestion that maybe he should die. She has a change of heart when Mark convinces Lily’s mother (Francie Swift) to send her away to a boarding school for “problem” girls. The two teens devise a plan to kill him. Enter slacker drug dealer Tim (Anton Yelchin) to execute the plan.

Thoroughbreds has all the elements of a winner. Finley’s script tells a good, dark story. Cooke channels Cristina Ricci, playing Amanda with all the macabre emptiness of Wednesday Addams. Ultimately, though, this is no Heathers. I found Thoroughbreds a bit rambling. It’s an okay film, but just okay — it’s probably not something I’m going to view again. Aaron enjoyed it more than I did.

With Svetlana Orlova, Alyssa Fishenden, Jackson Damon, James Haddad, Nolan Ball, Celeste Oliva

Production: June Pictures, B Story, Big Indie Pictures

Distribution: Focus Features (USA), Universal Pictures International (UPI) (international)

92 minutes
Rated R

(Landmark Century) C+

http://focusfeatures.com/thoroughbreds

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