A Nazi Legacy: What Our Fathers Did

(UK 2015)

The trailer for A Nazi Legacy: What Our Fathers Did looks promising, asking “What if you grew up as the child of a mass murderer?” British-Jewish lawyer Philippe Sands answers the question by spending some time with two men, Niklas Frank and Horst von Wächter, both sons of Nazi governors. Frank– whose father was convicted at Nuremberg and executed– doesn’t mince words when he condemns his father. Von Wächter on the other hand, is in complete denial that his father committed any wrong, in large part because he held a mainly administrative post and fled to Italy to die before he could be caputured. Naturally, von Wächter’s position does not sit well with Sands, whose relatives apparently were executed under the authority of Gov. von Wächter.

Subject matter and archival footage aside, I found A Nazi Legacy: What Our Fathers Did lacking. The focus on the conflicting views of von Wächter and Sands is initially interesting but ultimately overshadows any intellectual point: the former’s philistine refusal to face the facts and obvious inability to defend his position are both frustrating enough, but the latter’s supercilious browbeating makes a bad situation worse. With so much to work with, it’s a pity that what could have been an insightful commentary or debate degenerates into a pointless quarrel.

(Gene Siskel Film Center) D+

http://nazilegacy.vhx.tv

Radical Grace

(USA 2015)

Catholicism and feminism are unlikely companions, but Rebecca Parrish’s Radical Grace shows that this may be changing. Three American nuns with different agendas face censure by the Vatican for their “radical feminsim:” Sr. Simone Campbell, a lobbyist for the Affordable Care Act, which runs counter to the Catholic Church’s stance on contraception and abortion; Sr. Jean Hughes, a champion for women’s leadership roles within the Church; and Sr. Chris Schenk, a life coach for ex-cons on Chicago’s west side.

Radical Grace is interesting on many levels, but its depiction of the similar changes occurring in the Church and in the United States– and all the conflict and tension that goes along with them– struck me. It’s amazing that some people refuse to give up, no matter how hard their fight is– even when their opponents make it personal.

(Gene Siskel Film Center) B-

http://radicalgracefilm.com

Inherent Vice

(USA 2015)

Paul Thomas Anderson’s Inherent Vice is a total stoner flick. It’s loaded with amusing moments and notable actors—Joaquin Phoenix, Josh Brolin, Owen Wilson, Reese Witherspoon, Maya Rudolph, and Martin Short to name a few—having fun with their parts. It’s an entertaining farce—entertaining only to a point, that is.

Unfortunately, the plot meanders with spurts of energy and dead stops, and ultimately fails to go as far as maybe it hoped. The running time—two and a half hours!—does not help. I found myself underwhelmed, though I certainly didn’t hate it. Inherent Vice lost me before it got to the end. I’ve never read anything by Thomas Pynchon, and I’m in no hurry to after seeing this.

With Joanna Newsom, Katherine Waterston, Jordan Christian Hearn, Taylor Bonin, Jeannie Berlin, Eric Roberts, Serena Scott Thomas, Martin Dew, Michael Kenneth Williams, Hong Chau, Shannon Collis, Christopher Allen Nelson, Benicio Del Toro, Catherine Haena Kim, Jena Malone, Vivienne Khaledi, Yvette Yates, Andrew Simpson

148 minutes
Rated R

(Landmark Century) C-

http://inherentvicemovie.com

Selma

(USA 2015)

Martin Luther King Jr. lived an amazing life, and it would take volumes to cover it. That’s why it was smart of director Ava DuVernay to focus on one key event—the freedom march on Selma—and not MLK’s entire life.

With Selma, DuVernay does a nice job downplaying the legacy and showing MLK as an imperfect man, flaws and fears and all. David Oyelowo lacks MLK’s intensity, but he pulls off the task of portraying the man. Seeing Oprah Winfrey play an unglamorous old lady is a surprise.

I have two issues here. One is technical: Selma looks and feels like a made-for-cable movie. The other issue is treatment: I would have liked the story to go a little deeper. Still, Selma is a film definitely worth its running time; in fact, it could have gone on and I probably would not have noticed.

With Carmen Ejogo, Giovanni Ribisi, Jim France, Clay Chappell, Tom Wilkinson, Haviland Stillwell, André Holland, Ruben Santiago-Hudson, Colman Domingo, Omar J. Dorsey, Tessa Thompson, Common, Lorraine Toussaint, David Morizot, David Dwyer, E. Roger Mitchell, Dylan Baker, Ledisi Young, Kent Faulcon, Stormy Merriwether, Niecy Nash, Corey Reynolds, Wendell Pierce, John Lavelle, Stephan James, Trai Byers, Lakeith Stanfield, Henry G. Sanders, Charity Jordan, Stan Houston, Tim Roth, Nigel Thatch, Tara Ochs, David Silverman, Charles Saunders, Dexter Tillis, Cuba Gooding Jr.

128 minutes
Rated PG-13

(AMC 600 North Michigan) B

http://www.selmamovie.com

Foxcatcher

(USA 2014)

A creepy middle-aged chemical magnate (Steve Carell) sponsors a floundering Olympic wrestler (Channing Tatum) ultimately just to secure the athlete’s older brother (Mark Ruffalo) as coach for a start-up team. What can possibly go wrong?

Carrell is over the top creepy and weird in a role that is tough to imagine him taking, but such a great move. My eyes were fixed on this like a train wreck. And I mean that as a compliment. Based on a true story, I have no idea how much of E. Max Frye and Dan Futterman’s screenplay is accurate. Director Bennett Miller makes it such a killer film, though, that it doesn’t really matter.

With Sienna Miller, Vanessa Redgrave, Anthony Michael Hall, Guy Boyd, Brett Rice, Jackson Frazer, Samara Lee, Francis J. Murphy III, Jane Mowder, David ‘Doc’ Bennett, Lee Perkins, David Zabriskie

134 minutes
Rated R

(AMC River East 21) A-

http://sonyclassics.com/foxcatcher/

Big Eyes

(USA/Canada 2014)

A desperate housewife’s foray into 1960s San Francisco art scene becomes a surprising if dubious success. An “agreement” with her wannabe artiste husband, however, silences her claim to fame.

Something of a morality play, Tim Burton’s stamp is all over Big Eyes. But that doesn’t mean it’s great—it certainly is no Edward Scissorhands or Ed Wood. The problem here is that it lacks the heart of Burton’s earlier work. Too bad. Despite a rushed wrap-up, though, Amy Adams and Christoph Waltz turn in highly enjoyable performances that save Big Eyes from complete inanity.

With Danny Huston, Krysten Ritter, Jason Schwartzman, Terence Stamp, Jon Polito, Delaney Raye, Madeleine Arthur , James Saito, Farryn VanHumbeck, Guido Furlani

106 minutes
Rated PG-13

(Landmark Century) B-

http://bigeyesfilm.com