Willy Wonka and the Chocolate Factory

The Wizard of Oz

Link posted on by moviebloke

(USA 1939)

“For twenty-three years, I’ve been dying to tell you what I thought of you! And now… well, being a Christian woman, I can’t say it!”

—Auntie Em

 

“Toto, I’ve a feeling we’re not in Kansas any more.”

—Dorothy

 

“I’ll get you, my pretty. And your little dog, too!”

—The Wicked With of the West

 

“Only bad witches are ugly.”

—Glenda

 

“Why, anybody can have a brain. That’s a very mediocre commodity. Every pusillanimous creature that crawls on the Earth or slinks through slimy seas has a brain.”

“Hearts will never be practical until they can be made unbreakable.”

“You are under the unfortunate impression that just because you run away you have no courage; you’re confusing courage with wisdom.”

—The Wizard of Oz

Growing up when I did, The Wizard of Oz aired on TV every year, and only once a year. It was a special event. I distinctly remember it being on Thanksgiving, but digging around online contradicts me—while some sources back me up, others say Easter, February, and even Christmas. Whatever. I’ve seen it so many times, I know it by heart. So do many people. Like Willy Wonka and the Chocolate Factory (https://moviebloke.com/2016/03/26/willy-wonka-and-the-chocolate-factory/ ), The Wizard of Oz is a celluloid relic from my childhood that still stirs something in me.

This annual tradition stopped sometime in the ’90s, probably because home video and cable allowed one to see it anytime. So, I was downright thrilled to see a screening near me over a different holiday weekend this year: Memorial Day. I’ve only seen this film on the big screen once or maybe twice before, so I couldn’t resist.

This is where I usually launch into the story, where I might get into some of the details of Dorothy (Judy Garland) and her weird Technicolor odyssey to the Emerald City after a tornado lifts her, Toto (Terry), and her farmhouse out of Kansas and drops her somewhere over the rainbow in Munchkinland—right on top of the unseen Wicked Witch of the East, whose crazy striped socks and shriveled feet are permanently etched in my memory—provoking the ire of the Wicked Witch of the West (Margaret Hamilton) thanks to a pair of ruby slippers.

Let’s be honest, though: we all know the story. Does anything more need to be said about The Wizard of Oz, which is probably the best known and most seen film, ever? Classic and iconic, it set a cinematic benchmark that hasn’t been surpassed nearly a century on, and probably never will be. Loaded with character, song, color, and cool props, it’s a one of a kind spectacle. Its magic continues to inspire.

Harold Rosson’s cinematography is top notch. Seeing it today, I was wowed by the sepiatone Kansas scenes, which were plain old black and white on TV. I always feel a rush when Dorothy opens the door after she crashes, but seeing Munchkinland on the big screen is so much more awesome. So is that scene in the poppy field, and so is the Emerald City with its otherworldy green glow—like paranormal depression glass. Marvelous!

Based on L. Frank Baum’s 1900 children’s book The Wonderful Wizard of Oz, the film’s history behind the camera is every bit as colorful as…well, Munchkinland. Victor Fleming is credited as director, but The Wizard of Oz actually had five: Norman Taurog, Richard Thorpe, George Cukor, Fleming, and King Vidor (https://www.shmoop.com/wizard-of-oz/director.html ). Over a dozen writers contributed to the screenplay (http://oz.wikia.com/wiki/Wizard_of_Oz_Screenwriters ). Although the munchkin suicide is by all accounts nothing more than a rumor, Hamilton was burned badly (https://www.thevintagenews.com/2016/09/06/priority-margaret-hamilton-wicked-witch-west-wizard-oz-suffered-3rd-degree-burns-face-hands-scene-munchkinland-exits-ball-flame/ ). Buddy Ebsen was initially cast as the Tin Man, but he dropped out of the film when he suffered a severe allergic reaction to the aluminum makeup used on his face (http://oz.wikia.com/wiki/Buddy_Ebsen ). However, his voice remains in the scene where Garland, Ray Bolger as the scarecrow, and Jack Haley, Ebsen’s replacement, sing “We’re Off to See the Wizard” after the Tin Man is reanimated with oil.

Legend has it (though it’s probably exaggerated) that the actors who played the munchkins were worse than drunk sailors, holding sex parties and trashing the hotel where they stayed in Culver City (http://www.seeing-stars.com/Hotels/CulverHotel.shtml ) (http://www.mirror.co.uk/tv/tv-news/wizard-oz-mucnhkins-didnt-just-9782402 ) (http://www.independent.co.uk/arts-entertainment/films/features/dogged-by-rumour-the-riddles-of-oz-1766264.html ). Garland allegedly claimed that she was repeatedly accosted by a number of them (http://people.com/celebrity/teenage-judy-garland-was-repeatedly-molested-by-munchkins-on-set-of-wizard-of-oz-says-her-ex-husband/ ). What a world, what a world!

In 1989, the United States Library of Congress deemed The Wizard of Oz “culturally, historically, or aesthetically significant” and selected it for preservation in the National Film Registry (https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/).

With Frank Morgan, Bert Lahr, Billie Burke, Charley Grapewin, Clara Blandick, Pat Walshe, Charles Becker, Buster Brodie

Production: Metro-Goldwyn-Mayer/MGM

Distribution: Metro-Goldwyn-Mayer/MGM, Warner Brothers

102 minutes
Not rated

(ArcLight) A+

http://www.thewizardofoz.warnerbros.com

Willy Wonka and the Chocolate Factory

Link posted on by moviebloke

(USA/UK 1971)

What a great way to get into the Easter spirit: an afternoon screening of Willy Wonka and the Chocolate Factory complete with Rocky Horror-esque audience participation (without the swearing) and a goodie bag filled with bubbles, taffy, a chocolate egg, an exploding popper, and a glow stick—sign me up!

One of the first movies I remember seeing, ever, is Willy Wonka and the Chocolate Factory. I saw it with my sister and my cousins (Billy and Dottie), and I couldn’t have been more than three or four years old. We saw it at the Madison Theatre, which is long gone. Here’s a picture of it: http://cinematreasures.org/theaters/7383

I still remember what it looked like inside: it was a big open theater with a concession stand at the top of the seats divided by a half wall that allowed one to see the screen while purchasing popcorn. Today, it’s a lumberyard as it has been for decades. Sigh.

But I digress.

So how’s the movie? The screenplay isn’t totally true to Roald Dahl’s 1964 novel—he started it but didn’t finish it, and ultimately disowned the final version (https://en.wikipedia.org/wiki/Willy_Wonka_%26_the_Chocolate_Factory)—but it makes no difference. Director Mel Stuart keeps the film, to borrow from one of the songs, pure imagination and good fun. The sets are simple and the “special effects” are really low tech, like that trippy boat scene and the graphics accompanying the Oompa Loompas as they sing. Regardless, a timelessly magic quality that doesn’t need much comes through. Clearly, this is not the United States even if Charlie (Peter Ostrum) and Grandpa Joe (Jack Albertson) speak in an American dialect. One of my favorite scenes from any movie is the one in which Violet (Denise Nickerson) turns into a blueberry. And who doesn’t love watching all these shitheads meet their fate: Augustus (Michael Bollner) sucked into a tube, Veruca (Julie Dawn Cole) falling down a trash chute to be incinerated, and Mike Teevee (Paris Themmen) shrunk down to size? The color pallette is an awesome late 60s drab, and the clothes are amazingly gaudy. Everyone’s hair is stiff. The whole thing is wonderfully weird.

I love Wonka’s (Gene Wilder) deadpan disdain for, like, everything. The Oompa Loompas’ moralistic nursery rhymes against eating too much, chewing gum, being a brat, and watching too much TV are awesome. Some scenes are thin and quicker than I remember, but it’s a perfect movie for kids. It even has a happy ending. I never found it scary.

Willy Wonka and the Chocolate Factory still brings a smile to my face after all these years. Although I didn’t mind Tim Burton’s remake, I’ll take the original any day. Oh yeah—a trip to the candy store after the film (like I had) is obligatory.

In 2014, the United States Library of Congress deemed Willie Wonka and the Chocolate Factory “culturally, historically, or aesthetically significant” and selected it for preservation in the National Film Registry.

(Music Box) A-

http://www.willywonkamovie.com