Goat

Raw [Grave]

Link posted on by moviebloke

(France/Belgium 2016)

“An animal that has tasted human flesh is not safe.”

—Father

To borrow a phrase from Morrissey, meat is murder, which is a lesson that goody-two-shoes strict vegan Justine (Garance Marillier) learns the hard way when she goes away to join her older sister, Alexia (Ella Rumpf), at veterinary college. Like a lot of young people away from home for the first time, Justine is lost and wants to fit in. She’s she’s got her work cut out for her: she’s nerdy, sheltered, and a total virgin.

Like a lot of other schools, the upperclassmen at this one have a hazing ritual to break in newbies. It’s pretty aggressive. Prompted by her sister, Justine goes along with it without objection—that is, until she’s pushed to eat raw rabbit kidney (never mind the blood splattered all over her and her “fresh meat” first year classmates). Alexia is the one who ultimately cajoles her to eat it; it’s nasty and it makes Justine sick. Not long after, she develops a gross and severely itchy rash brought on from food poisoning.

Soon, Justine finds herself craving meat. Her impulses are irresistible. First, she eats raw chicken. Then her own hair. Eventually, she works up to human flesh—after developing a fetish for car crashes, of course. As she gives in to her carnivorous urges, her lust for her cute and easygoing gay roommate, Adrien (Rabah Naït Oufella), gets stronger—and Alexia appears to be turning into a greater and greater adversary.

Screenwriter/director Julia Ducournau has a lot on her mind here: peer pressure, body image, sexuality, sibling rivalry, the food we eat. She’s gutsy, and for the most part her risks pay off. It’s not the same story, but Raw has something in common with Goat (https://moviebloke.com/2016/09/24/goat/), another histrionic college drama that gets at kids, tribalism, and cruelty. Raw is very Lord of the Flies. Ducournau paces the story well and picks interesting things—a bikini wax, a horse being sedated—to make us squirm.

I love Ducournau’s sense of humor: it’s dry, icky, and sadistic. The indignation of Justine’s parents over a piece of sausage in her mashed potatoes when they’re eating in a cafeteria as the film begins brilliantly sets up what follows. Marillier seems to have some fun with her role, playing Justine as a creepy, awkward junkie who maybe bites off more than she can chew. Rumpf has fun with her role, too, playing Alexia as a Heathers-like mean girl. They do a nice job working the love and the hate in their relationship. Smartly, they’re both restrained, carefully steering clear of camp.

Visually, Raw reminds me a lot of David Cronenberg and David Lynch, but it still has its own unique look and feel. There are a lot well done scenes here—one under Justine’s sheets, another on a campus plaza with a horde of students moving like zombies, and another at a rave in a morgue all stand out in my mind. Cinematographer Ruben Impens uses lots of bright colors that work nicely with all the dim light to make the school look like a nightmare or a drug trip. There’s a definite sense of this not being real.

Raw is bloody and gory, but nothing here made me want to pass out or call an ambulance  (http://www.indiewire.com/2016/09/raw-tiff-2016-toronto-film-festival-pass-out-cannibal-julia-ducournau-1201726575/). I liked it, but I have one beef: I wish it was a little less predictable.

With Laurent Lucas, Joana Preiss, Bouli Lanners, Marion Vernoux, Thomas Mustin, Jean-Louis Sbille

Production: Frakas Productions, Petit Film, Rouge International, Wild Bunch, Canal+, Ciné+, Centre National de la Cinématographie (CNC), La Wallonie, Bruxelles Capitale, Centre du Cinéma et de l’Audiovisuel de la Fédération Wallonie-Bruxelles, Radio Télévision Belge Francophone (RTBF), VOO, BE TV, Arte/Cofinova 12, Torino Film Lab

Distribution: Wild Bunch (France), O’Brother Distribution (Belgium), Focus World (international), Canibal Networks (Mexico), Cinemien (Netherlands), Seven Films (Greece), United International Pictures (UIP) (Singapore), Universal Pictures International (UPI) (UK), Monster Pictures (Australia)

99 Minutes
Rated R

(Music Box) B-

http://focusfeatures.com/raw

http://www.rawthefilm.co.uk

Goat

Video posted on by moviebloke

(USA 2016)

Son of Saul remains one of the more memorable films from last year, and it’s because of how it was done: it’s harrowing to watch because it shoves the viewer front and center into its violence—physical and psychological. Goat, the film adaptation of Brad Land’s memoir about his experience with fraternity hazing, deals with a different subject altogether but works the same way: it’s difficult to watch, and it makes its points exactly because it’s difficult to watch.

High school senior Brad (Ben Schnetzer) is sensitive, naive, and kind of aimless. After leaving a party at his older brother Brett’s (Nick Jonas) frat house because it’s “getting weird”—he wants no part in pounding booze, snorting blow, or watching a live sex show—Brad agrees to give a lift to a sketchy townie (Will Pullen) who approaches him as he’s walking alone to his car. It’s just up the street in a small college town, so what can happen? Sketchy townie has a friend (Jamar Jackson), and the encounter goes somewhere Brad wasn’t expecting: they make him pull off the road, beat the shit out of him, and run off with his ATM card and his car.

The investigating officer (Kevin Crowley) is skeptical when Brad reports the incident—he suspects Brad is not telling him the whole story. The experience doesn’t sit well. On the fence about college and feeling like a self-described “pussy,” Brad decides to enroll at the school where Brett goes—and pledge his fraternity, Phi Sigma Mu. The guys in the house talk a lot about brotherhood, but something is off. Brad goes forward with rush week, anyway—and even motivates his dorm roommate, Will (Danny Flaherty), to rush (a.k.a. pledge) along with him. They become “goats,” which we learn is another word for pledges. Led by their “master” Dixon (Jake Picking), things get increasingly degrading and barbaric for the goats as they move through “hell week.” What is Brad trying to prove, and to whom?

Goat is brutal. With the opening shot—a pack of shirtless college boys jumping up and down in slow motion, participating in some fraternity ritual and looking more like a troop of apes than a group of students—director Andrew Neel sets the tone and sticks to it all the way through. The hazing rituals involve a slew of nastiness: face slapping, mudwrestling, and cages are the least of it. James Franco, one of the film’s producers, makes an appearance as Mitch, an older Phi Sig alum who never left town. Amusing on the surface, it doesn’t take long to see that Mitch is pathetic. The best thing about the film is Brad and Brett’s relationship, which becomes strained once the latter sees the former going through hell week. The whole cast is impressive—particularly Jonas, who’s made some strides since his stint on last season’s Scream Queens.

Goat emits a whiff of Reefer Madness sensationalism—I was never in a frat so I’ve never gone through anything like hell week and can’t speak to it with any personal experience (though I have friends who were in fraternities, and most of them withdrew for one reason or another). Regardless, I found Goat provocative not so much for taking on hazing and asking why anyone would put up with it, but for raising questions about bigger and broader things like groupthink and pack mentality, societal permissiveness, what “brotherhood” means, masculinity, and how it all interacts with the primal instinct inside each of us. If nothing else, Goat serves as a springboard for discussing a number of topics after the show.

96 minutes
Rated R

(Music Box) B+