A Nazi Legacy: What Our Fathers Did

(UK 2015)

The trailer for A Nazi Legacy: What Our Fathers Did looks promising, asking “What if you grew up as the child of a mass murderer?” British-Jewish lawyer Philippe Sands answers the question by spending some time with two men, Niklas Frank and Horst von Wächter, both sons of Nazi governors. Frank– whose father was convicted at Nuremberg and executed– doesn’t mince words when he condemns his father. Von Wächter on the other hand, is in complete denial that his father committed any wrong, in large part because he held a mainly administrative post and fled to Italy to die before he could be caputured. Naturally, von Wächter’s position does not sit well with Sands, whose relatives apparently were executed under the authority of Gov. von Wächter.

Subject matter and archival footage aside, I found A Nazi Legacy: What Our Fathers Did lacking. The focus on the conflicting views of von Wächter and Sands is initially interesting but ultimately overshadows any intellectual point: the former’s philistine refusal to face the facts and obvious inability to defend his position are both frustrating enough, but the latter’s supercilious browbeating makes a bad situation worse. With so much to work with, it’s a pity that what could have been an insightful commentary or debate degenerates into a pointless quarrel.

(Gene Siskel Film Center) D+

http://nazilegacy.vhx.tv

45 Years

(USA/UK 2015)

45 Years— my lifetime, and about how long it felt like it took to get through this. On the eve of a huge party to celebrate their 45th wedding anniversary, Geoff Mercer (Tom Courtenay) receives a letter informing him that the body of a past lover from before he met his wife Kate (Charlotte Rampling) has been recovered after 50 years– she fell off a cliff while they were vacationing in Switzerland. He is absorbed by this news, which does not sit well with Kate.

45 Years isn’t bad, but it is tedious; I found myself growing more and more restless as it went on. A lot happens during the course of the film, but it’s mostly mental– thoughts, feelings, and struggles within the characters. Sure, these all manifest themselves physically, but mostly in a quiet way. I wanted more action here. The big thrill for me was recognizing Geraldine James from Little Britain– she played the mother in the “Bitty” skit.

(AMC River East) C-

Chicago International Film Festival

http://45yearsfilm.com

Amy

(UK 2015)

I was not an Amy Winehouse fan, but I am now. Amy traces Winehouse’s life from adolescence to pre-fame and breaking through with “Rehab,” to her druggy antics and early death. Unlike I Am Chris Farley, Amy delves into what was behind the mess and how it played out, showing a flawed and vulnerable person behind the personality. Remarkably, it is not judgmental—though I can see why her family reneged on allowing filmmaker Asif Kapadia access to private material. Throw in some great songs with anecdotes about how they came to be and live performances, and you’ve got a winner.

(Landmark Century) A-

http://www.amy-movie.com

’71

(UK 2015)

’71 is French television director Yann Demange’s finely crafted drama of a British soldier (Jack O’Connell) sent to Belfast to keep the peace amongst the rioting Catholics one day in 1971. After getting separated from his troop during a melee exacerbated by a child running off with a gun, he spends the next 12 hours or so fending off a band of IRA militants intent on killing him. The action is shot up close and in the dark, and the pace is perfectly nerve-wracking. More than just a “war movie,” ’71 is a thriller jammed with suspense and psychological drama that examines human nature and the instinct to survive.

(AMC River East) B+

http://71themovie.com/#/trailer