(Slovakia / Ukraine 2017)
Director Peter Bebjak’s The Line is an Eastern European testosterone flick, a less cheeky sort of Lock, Stock and Two Smoking Barrels set at the Slovakia–Ukraine border. It’s a genre flick, and a good one: excellent performances all around boost Peter Balko’s tight, vigorous screenplay.
A lot is going on with Adam Krajnak (Tomáš Maštalír), the head of both his household and a gang of organized cigarette smugglers. His oldest daughter, Lucia (Kristiná Konátová), is about to marry a clueless petty thief (Oleksandr Piskunov) he doesn’t care for. His Ukrainian partner (Eugen Libezňuk) is going weird, possibly on the verge of going rogue.
Then there’s ruthless Ukrainian gangster Krull (Stanislav Boklan), who’s co-opted Adam’s crew for a new product, meth. Adam wants no part of it. Things are heating up to a show down that crooked police chief Peter Bernard (Andy Hryc) facilitates. It all comes to a head during Lucia’s engagement party.
With far and few still moments, The Line grows increasingly complicated as its story progresses. This is a quick and constant thriller loaded with curve balls. A scene where the police raid Afghans illegally crossing the “green border,” a wooded area, is a standout. So are a few at a ravine where Krull dumps bodies; Martin Ziaran’s underwater shots are beautifully eerie.
With Emília Vášáryová, Géza Benkõ, Zuzana Fialová, Filip Kankovský, Milan Mikulcík, Veronika Strapková, Rimma Zyubina
Production: Wandal Production, Garnet International Media Group
Screening introduced by and followed by a live Q and A with Andy Hryc
(AMC River East) B+
Chicago International Film Festival