The National Film Registry has some weird shit on it. Life of an American Fireman is a good example. An early “narrative” film produced by Thomas Edison and directed by George S. Fleming and Edwin S. Porter, who worked on other Edison film projects, this one depicts the dangerous work of firemen.
Life of an American Fireman doesn’t waste time or expense on things life title cards or credits. It begins with a fireman (Arthur White) dreaming about his wife and kids, shown in an onscreen thought bubble. He is awakened by the sound of the bell — not that we hear it — because oh, Lord Jesus, it’s a fire! It’s not entirely clear, but it looks like the fire is at his house.
This film is interesting from a historical perspective, and it shows some nice exterior shots of suburban New York or New Jersey. It’s also neat how the aforementioned thought bubble is composed as well as how the action is depicted from various viewpoints — in and outside the house. The fake smoke is a nice detail. Other than that, Life of an American Fireman is a snooze — about as thrilling as watching a fax go through. Thankfully, programming has come a long way.
In 2016, the United States Library of Congress deemed Life of an American Fireman “culturally, historically, or aesthetically significant” and selected it for preservation in the National Film Registry (https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/).
With Vivian Vaughan, James H. White
Production: Edison Manufacturing Company
Distribution: Edison Manufacturing Company, Kleine Optical Company