(USA/South Korea 2017)

“We needed a miracle, and then we got one.”

—Lucy Mirando

Bong Joon-ho’s Okja, now streaming on Netflix, is a lot of things; dull is not one of them. A slick, fast-paced, mesmerizing mix of fantasy, sci-fi, comedy, action, satire, and social consciousness, this film has a lot going on—and a lot going for it. I was lucky to see it on the big screen before its official release, and that’s how I recommend seeing it if you can. Sorry, Netflix, Okja is simply too good for TV.

The story begins ten years ago in 2007: in a desperate but brilliant attempt to rebrand a disreputable family business—to make a silk purse out of a sow’s ear, so to speak—Lucy Mirando (Tilda Swinton) announces her master plan to breed an all-natural “superpig” that leaves a minimal footprint, feeds the world, and tastes great (https://superpigproject.com). Her company, Mirando Corporation, devises a competition, sending twenty-some piglets to real farmers across the globe to raise them; the company will monitor each pig over the next ten years and declare a “winner” based on the results. Mirando hires animal television show host Dr. Johnny Wilcox (Jake Gyllenhaal), a zoologist whose star is fading, to lend credibility to the project as well as to generate public interest in it.

Fast forward to 2017: Mirando’s plan is coming to fruition without any hiccups, which makes her happier than a pig in…well, you know. Unfortunately for Mirando, a young South Korean girl named Mija (Ahn Seo-hyun), whose grandfather (Byun Hee-bong) signed onto the project, threatens to derail the entire mission. Mija, you see, essentially raised her grandfather’s pig, Okja. They’ve become dependent on each other. He never explained to her what the deal really is—that Mirando’s silk purse is nothing more than lipstick on a pig.

Dr. Johnny and his television crew show up at their home in the mountains and marvel over Okja, now a magnificently enormous hippopotamus-like creature. He presents her grandfather with an award and takes Okja to Manhattan—actually, New Jersey—for a pig roast sponsored by the Mirando Corporation.

To put it lightly, Mija’s not having it—she takes off after Okja on a chaotic chase through Seoul, where she encounters the Animal Liberation Front, a group of inept animal rights activists led by idealistic but ineffective Jay (Paul Dano). They make a pact, but unfortunately she doesn’t speak English. Mija ends up at the world headquarters of Mirando Corporation in New York City, completely unaware of the cards she holds.

I went into Okja blind—the only thing I knew about it was that its central character is a big pig. I left more than satisfied: the cast is stellar, the effects are flawless, and the script is smart and strong despite its flaws. If that don’t beat a pig a-pecking, I don’t know what does.

In simplest terms, Okja is about our complicated consumerist relationship with food. As one pig farmer put it best, “Okja’s a fake pig in a movie I watched on Netflix. But plenty of real animals are suffering inside a horrific system that don’t have to.” (http://www.huffingtonpost.com/entry/okja-thoughts-from-a-pig-farmer_us_595bd1cde4b0f078efd98cbd). On this point alone, Okja will resonate with anyone who’s ever connected with an animal—pig, dog, cat, bird, horse, aardvark. The story has been compared to E.T. (https://moviebloke.com/2016/03/29/e-t-the-extra-terrestrial-e-t/), and it’s pretty wonderful. The final scene, which takes place in a slaughterhouse, is hard to watch—I got anxious. And queasy. I thought of Morrissey!

Appropriately, the acting is hammy; I love that Swinton plays twins again. She looks like a deranged Uma Thurman in Pulp Fiction. Gyllenhaal teeters on insufferable with his wimpy sniveling, but to his credit he manages to keep it in check. I’m usually unimpressed with computer animation, but here it’s amazingly well done; Okja looks as real as the humans. I think the trick is her eyes. Even with its Hollywood ending, Okja is definitely one of this year’s more interesting movies.

With Steven Yeun, Lily Collins, Yoon Je-moon, Shirley Henderson, Daniel Henshall, Devon Bostick, Choi Woo-shik, Giancarlo Esposito

Production: Kate Street Picture Company, Lewis Pictures, Plan B Entertainment

Distribution: Netflix

118 minutes
Not rated

(AMC River East) B


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