Adam Scott

My Blind Brother

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(USA 2016)

Robbie (Adam Scott) and Bill (Nick Kroll) are brothers. Robbie is an overachieving athlete—attractive, admired, and blind. He’s also kind of a dick in private. Bill dutifully assists Robbie with his athletic endeavors, holding a string to guide him as he runs marathons and rowing in front of him with a blowhorn as he swims. Admittedly lazy, Bill fantasizes about being disabled and having everyone wait on him while he watches TV all day.

WARNING: Potential spoilers ahead!

One night while their parents are fawning over Robbie after a race, Bill goes out by himself for a drink at a local bar where unbeknownst to him a memorial is being held for a guy who was killed when a bus hit him. Bill meets Rose (Jenny Slate), who’s crying because she feels guilty about it—she dumped him right before it happened. They introduce themselves: she’s a “superficial narcissist” and he’s “lazy and judgmental.” They talk, and she tells him she wants to be a better person—maybe helping baby elephants in Africa or something. Rose ends up going home with Bill. In a very uncomfortable scene, she extricates herself from his room and takes off the next morning, roughly declining Bill’s request for her phone number.

Soon after, Robbie hooks up with a volunteer to help him with swimming, something Bill doesn’t want to do. Turns out, there’s a spark between Robbie and this volunteer—who Bill discovers is Rose.

Writer and director Sophie Goodhart does a capable job on both fronts, even if My Blind Brother takes a little while to get its stride and feels a bit like a TV show. The story moves steadily once it gets going, though the ending is predictable—including its reveal of how Robbie lost his sight. There are more than a few genuinely funny moments here. I love that all of the characters are detestable, or at least nothing to aspire to, for one reason or another—even Robbie, who from an outside perspective seems inspirational with his fundraising through athletics. It doesn’t take long to see that he’s lame, right down to the same flimsy joke about looking beautiful that he repeats to every woman (because he’s blind and can’t see, get it?). Slate does neurotic frazzled really well. Charlie Hewson as blind stoner GT and Zoe Kazan as Rose’s quick and loyal but cynical roommate Francie both add a breath of fresh air. Filmed in and around the West Side of Cleveland, Ohio—where I grew up—I immediately noticed exterior shots in Tremont, Lakewood, and I’m pretty sure Rocky River.

85 minutes
Rated R

(Facets) C+

The Overnight

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(USA 2015)

Sex can be a funny topic with loads of material. The Overnight, a limited independent release from last summer, seems like a little gem. It opens promisingly with Taylor Schilling (Orange is the New Black) and Adam Scott (Parks and Recreation) in what just might be hands down (but not off) the most pathetic sex scene ever. It’s really funny, and gets us off to a good start. Sadly, the momentum doesn’t last long.

The couple just moved from Seattle to Los Angeles, and doesn’t know anyone. While at the park with their son, they meet Kurt (Jason Schwartzman), a goofy ageing hipster who sells water coolers by day and who we later learn also paints close up portraits of assholes—as in, anuses—and sells videos of his wife, Charlotte (Judith Godrèche), online. Kurt invites the couple over for a “play date” for their boys (he and Charlotte have a son the same age) that ends up looking more and more like a play date for the adults once the kids are asleep.

I wanted to like The Overnight, but I didn’t. It shows a few flickers of light: the characters are thrust into some palpably uncomfortable situations, including a weird penis dance by the pool (they’re prosthetics) and an even weirder hand job. One of the last scenes actually gets sexy for a hot moment. Unfortunately, though, the whole thing goes limp early on; the story never takes off and the situations just aren’t that wild. Sure, there’s full frontal nudity (albeit prosthetics), but there’s nothing edgy or clever about it. The problem is the writing: Patrick Brice either ran out of ideas or didn’t know where to go with the story. Intentionally or not, the wrap up puts out a moral position that rings, um, judgmental. I didn’t find The Overnight fresh or funny; I found it unimaginative and tedious the more it went on.

(Home via iTunes) C-

http://theovernight-movie.com