The Tales of Hoffmann

(USA 1951)

OMG, what the fuck is this? Yes, it’s the operatic epic of Hoffmann (though I still have no idea who the fuck he is) and three of the loves of his life. But…dude, man, FUCK!

Written, directed, and produced by famed Brits the Archers–Michael Powell and Emetic Pressburger–The Tales of Hoffman is an old school movie they just don’t make anymore. Visually, a stunning Technicolor wet dream complete with elaborate dance numbers, lavish costumes, and big trippy-ass sets. It’s serious eye candy with a major gay sensibility (I have no idea whether Powell and Pressburger were gay or not). It’s impressive for its scale alone, and certainly is unlike anything I’ve ever seen.

But what the fuck just happened? Clocking in at just over two hours, I thought The Tales of Hoffmann would never end. It’s pretty, but it’s long–it seems longer than it is. For me, it was probably sensory overload with not enough plot. Did I mention, what the FUCK?

(Music Box) D

http://www.rialtopictures.com/hoffmann.html

Cinderella

(USA 2015)

What’s to say, really? Kenneth Branagh’s reboot of the classic cartoon was pretty much what I expected, Disney milquetoast and all. Lily James makes a good Cinderella, and Cate Blanchett makes an even better evil stepmother. Two things I enjoyed: the backstory the original did not tell and the prince’s (Richard Madden) junk showing through the white tights he wore in every scene. Helena Bonham Carter, downright magical as the fairy godmother, stole the show; her scene was by far the best if only for how giddy it made me.

(AMC 600 North Michigan) C

http://movies.disney.com/cinderella

Funny Girl

(USA 1968)

Barbra Streisand classic: ugly duckling Fanny Brice (Streisand) makes her way to the top via the stage. In the process, she meets a hot mystery man (Omar Sharif) who is not what he seems. A lengthy Technicolor melodrama in some ways was ahead of its time.

Despite its merits, I got bored: Funny Girl is long, winding, and corny. Plus, Babs gets on my nerves after about an hour and a half. I’ll stick with Madge—her movies suck, but she’s more fun and has more bite.

In 2016, the United States Library of Congress deemed Funny Girl “culturally, historically, or aesthetically significant” and selected it for preservation in the National Film Registry (https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/).

(Evanston Century) C+

Fathom Events

http://www.barbrastreisand.com/us/film/funny-girl