A Nazi Legacy: What Our Fathers Did

(UK 2015)

The trailer for A Nazi Legacy: What Our Fathers Did looks promising, asking “What if you grew up as the child of a mass murderer?” British-Jewish lawyer Philippe Sands answers the question by spending some time with two men, Niklas Frank and Horst von Wächter, both sons of Nazi governors. Frank– whose father was convicted at Nuremberg and executed– doesn’t mince words when he condemns his father. Von Wächter on the other hand, is in complete denial that his father committed any wrong, in large part because he held a mainly administrative post and fled to Italy to die before he could be caputured. Naturally, von Wächter’s position does not sit well with Sands, whose relatives apparently were executed under the authority of Gov. von Wächter.

Subject matter and archival footage aside, I found A Nazi Legacy: What Our Fathers Did lacking. The focus on the conflicting views of von Wächter and Sands is initially interesting but ultimately overshadows any intellectual point: the former’s philistine refusal to face the facts and obvious inability to defend his position are both frustrating enough, but the latter’s supercilious browbeating makes a bad situation worse. With so much to work with, it’s a pity that what could have been an insightful commentary or debate degenerates into a pointless quarrel.

(Gene Siskel Film Center) D+

http://nazilegacy.vhx.tv

Radical Grace

(USA 2015)

Catholicism and feminism are unlikely companions, but Rebecca Parrish’s Radical Grace shows that this may be changing. Three American nuns with different agendas face censure by the Vatican for their “radical feminsim:” Sr. Simone Campbell, a lobbyist for the Affordable Care Act, which runs counter to the Catholic Church’s stance on contraception and abortion; Sr. Jean Hughes, a champion for women’s leadership roles within the Church; and Sr. Chris Schenk, a life coach for ex-cons on Chicago’s west side.

Radical Grace is interesting on many levels, but its depiction of the similar changes occurring in the Church and in the United States– and all the conflict and tension that goes along with them– struck me. It’s amazing that some people refuse to give up, no matter how hard their fight is– even when their opponents make it personal.

(Gene Siskel Film Center) B-

http://radicalgracefilm.com

The Amazing Nina Simone

(USA 2015)

Amazing, indeed– both her talent and her life. This thorough documentary follows singer Nina Simone from her humble beginnings in a tiny North Carolina mountain town where she was Eunice Wayman through her death following a stroke in 2003. A piano prodigy early on thanks to her father– who her brother tells us is where her talent came from– Wayman’s dream of being America’s first black female classical concert pianist was dashed when the Curtis Institute rejected her application. She turned to nightclubs, changed her name to Nina Simone so her mother wouldn’t find out where she was working, and the rest as they say is history.

Director Jeff L. Lieberman touches on a lot of interesting stuff from every period of her life: Simone’s first marriage to a cute but lazy French sponge, her bisexuality, her association with Langston Hughes and MLK, her attitude toward the Black Panthers and Malcolm X, and her mental instability that worsened as she got older. He rounds it out with interviews of those who knew her, music and civil rights history, and academic commentary.

(Gene Siskel Film Center) B

http://www.amazingnina.com

3-1/2 Minutes, Ten Bullets

(USA 2015)

Another heartbreaking story of another racially fueled shooting of an unarmed black teen, Jordan Davis, in Florida the day after Thanksgiving (“Black Friday”) in 2012. No one wins here: Jordan, his friends who were with him, his parents, Michael Dunn (the man who shot him), Dunn’s fiancé, and society at large. Marc Silver’s 3-1/2 Minutes, Ten Bullets succeeds in reaching beyond race to illustrate why “stand your ground” laws are fatally flawed.

(Gene Siskel Film Center) B

http://www.takepart.com/three-and-a-half-minutes-ten-bullets

Best of Enemies

(USA 2015)

This is the true story of the ten-night debates between William F. Buckley and Gore Vidal before the 1968 Presidential election. Culled mostly of footage from then-struggling third-place network ABC news archives, the best parts of the film are the debates themselves: Buckley and Vidal go after each other with biting, brutal wit. Best of Enemies highlights issues of class and ideology that we still see today—and amusingly shows things no one gets away with saying on broadcast television anymore.

I thought Best of Enemies would be more fun than it was. I also left the theater liking Buckley a lot more than Vidal, even though my personal politics are far more aligned with the latter. Buckley was charming; Vidal was not.

(Landmark Century) B-

http://www.magpictures.com/bestofenemies/

Do I Sound Gay?

(USA 2015)

An informative and amusing exploration of the “gay voice,” that effeminate and often annoying over-the-top stereotypical way that so many gay men speak—and that one man (David Thorpe) wants to change. Thorpe looks to speech therapy and academia but mostly pop culture for answers, enlisting gay celebrities like Dan Savage, George Takei, and Tim Gunn along the way. Their responses reveal the conflicted attitudes gay men hold toward masculinity and identity.

Despite its merits, Do I Sound Gay? ultimately underwhelmed me. It provided useful tidbits of information, but nothing solid or groundbreaking.

(Gene Siskel Film Center) C

http://www.doisoundgay.com

Amy

(UK 2015)

I was not an Amy Winehouse fan, but I am now. Amy traces Winehouse’s life from adolescence to pre-fame and breaking through with “Rehab,” to her druggy antics and early death. Unlike I Am Chris Farley, Amy delves into what was behind the mess and how it played out, showing a flawed and vulnerable person behind the personality. Remarkably, it is not judgmental—though I can see why her family reneged on allowing filmmaker Asif Kapadia access to private material. Throw in some great songs with anecdotes about how they came to be and live performances, and you’ve got a winner.

(Landmark Century) A-

http://www.amy-movie.com

I Am Chris Farley

(USA 2015)

A nice tribute to nice 90s Saturday Night Live alum and Tommy Boy star with nice commentary from family, friends, and celebs like Bo Derek, Lorne Michaels, Dan Akroyd, Mike Myers, David Spade, and Adam Sandler (among many others). And ‘nice’ is the problem: I Am Chris Farley does a nice job of giving some background and insight on what a nice guy Farley was, but unfortunately it digresses into a weird sanitized nostalgia. I imagine most people, like me, wanted more details about the events leading up to his untimely death at age 33, something touched on in a superficial and sweeping manner that turned it into the proverbial elephant in the room

Still, it did show some of his best skits (the Chippendales audition with Patrick Swayze and Matt Foley, motivational speaker, to name two). I guess we have to settle for that.

(Music Box) C

http://www.iamchrisfarley.com

A Murder in the Park

(USA 2015)

I love movies set in and about Chicago, especially since the time I moved here. I do not remember this, though: a group of Northwestern University journalism students under the direction of “advocate” Prof. David Protess reenact a 1982 murder at a South Side pool and conclude that it could not have happened the way police and the courts determined it did, persuading Gov. George Ryan to free a convicted killer (Anthony Porter), jail an innocent man (Alstroy Simon), and ultimately abolish the death penalty.

The problem is, the alleged killer was by all accounts probably guilty. Walking us through the facts, interviews with those involved, and the sloppy “investigation” of the students, filmmakers Christopher S. Rech and Brandon Kimber demonstrate a worst-case scenario of political correctness, academic corruption, and second-guessing those charged with solving crimes. It’s an interesting and even controversial film considering the current prevailing attitude toward law enforcement.

(Gene Siskel Film Center) B+

http://www.mipfilm.com

The Wolf Pack

(USA 2015)

The Wolf Pack is Crystal Moselle’s bizarre account of one family’s reclusive life imposed upon it by its weirdo patriarch in a public housing project on the lower east side of Manhattan. Forbidden to leave the apartment, pretty much everything the Angulo kids “know” comes from movies. The juxtaposition of the Empire State Building outside the small apartment’s window serves as a constant, nagging metaphor for their situation: trapped in a box inside one of the biggest and busiest cities in the world, watching but not participating as life goes on without them.

The Wolk Pack wowed me on many levels. Watching the Angulo pack get through an awkward trek to Coney Island shined a light on each brother’s personality, perhaps to illustrate nature-versus-nurture. The coping mechanisms they adopted, like acting out perfect imitations of Tarantino and Batman movies as an escape, were downright heartbreaking. To see that these kids, mostly boys, came out of this experience as relatively well-adjusted, cool people is fucking amazing.

(Music Box) A-

http://www.thewolfpackfilm.com