Amy

(UK 2015)

I was not an Amy Winehouse fan, but I am now. Amy traces Winehouse’s life from adolescence to pre-fame and breaking through with “Rehab,” to her druggy antics and early death. Unlike I Am Chris Farley, Amy delves into what was behind the mess and how it played out, showing a flawed and vulnerable person behind the personality. Remarkably, it is not judgmental—though I can see why her family reneged on allowing filmmaker Asif Kapadia access to private material. Throw in some great songs with anecdotes about how they came to be and live performances, and you’ve got a winner.

(Landmark Century) A-

http://www.amy-movie.com

The Tales of Hoffmann

(USA 1951)

OMG, what the fuck is this? Yes, it’s the operatic epic of Hoffmann (though I still have no idea who the fuck he is) and three of the loves of his life. But…dude, man, FUCK!

Written, directed, and produced by famed Brits the Archers–Michael Powell and Emetic Pressburger–The Tales of Hoffman is an old school movie they just don’t make anymore. Visually, a stunning Technicolor wet dream complete with elaborate dance numbers, lavish costumes, and big trippy-ass sets. It’s serious eye candy with a major gay sensibility (I have no idea whether Powell and Pressburger were gay or not). It’s impressive for its scale alone, and certainly is unlike anything I’ve ever seen.

But what the fuck just happened? Clocking in at just over two hours, I thought The Tales of Hoffmann would never end. It’s pretty, but it’s long–it seems longer than it is. For me, it was probably sensory overload with not enough plot. Did I mention, what the FUCK?

(Music Box) D

http://www.rialtopictures.com/hoffmann.html

’71

(UK 2015)

’71 is French television director Yann Demange’s finely crafted drama of a British soldier (Jack O’Connell) sent to Belfast to keep the peace amongst the rioting Catholics one day in 1971. After getting separated from his troop during a melee exacerbated by a child running off with a gun, he spends the next 12 hours or so fending off a band of IRA militants intent on killing him. The action is shot up close and in the dark, and the pace is perfectly nerve-wracking. More than just a “war movie,” ’71 is a thriller jammed with suspense and psychological drama that examines human nature and the instinct to survive.

(AMC River East) B+

http://71themovie.com/#/trailer

Kingsman: The Secret Service

(USA 2015)

Matthew Vaughn’s adaptation of the comic book The Secret Service by Dave Gibbons and Mark Millar is, in a word, “eh.” Sadly, not even a big budget and above-average performances by big-name talent (Colin Firth, Samuel L. Jackson, and Michael Caine to name just a few) salvaged this silly, boring imitation of a James Bond flick.

(AMC River East) D+

http://www.kingsmanmovie.com

Mortdecai

(USA 2015)

David Koepp’s adaptation of English author Kyril Bonfiglioli’s comic detective novels. The hunt for a lost Goya painting leads a bumbling English art “dealer” (Johnny Depp) and his manservant (Paul Bethany) on a transatlantic adventure. Depp gives more than a nod to Austin Powers in his portrayal of Charles Mortdecai in this silly but fun dope-a-rama that would have made more sense as a summer release. Total fluff.

(AMC 600 North Michigan) C-

http://mortdecaithemovie.com