Amy

(UK 2015)

I was not an Amy Winehouse fan, but I am now. Amy traces Winehouse’s life from adolescence to pre-fame and breaking through with “Rehab,” to her druggy antics and early death. Unlike I Am Chris Farley, Amy delves into what was behind the mess and how it played out, showing a flawed and vulnerable person behind the personality. Remarkably, it is not judgmental—though I can see why her family reneged on allowing filmmaker Asif Kapadia access to private material. Throw in some great songs with anecdotes about how they came to be and live performances, and you’ve got a winner.

(Landmark Century) A-

http://www.amy-movie.com

I Am Chris Farley

(USA 2015)

A nice tribute to nice 90s Saturday Night Live alum and Tommy Boy star with nice commentary from family, friends, and celebs like Bo Derek, Lorne Michaels, Dan Akroyd, Mike Myers, David Spade, and Adam Sandler (among many others). And ‘nice’ is the problem: I Am Chris Farley does a nice job of giving some background and insight on what a nice guy Farley was, but unfortunately it digresses into a weird sanitized nostalgia. I imagine most people, like me, wanted more details about the events leading up to his untimely death at age 33, something touched on in a superficial and sweeping manner that turned it into the proverbial elephant in the room

Still, it did show some of his best skits (the Chippendales audition with Patrick Swayze and Matt Foley, motivational speaker, to name two). I guess we have to settle for that.

(Music Box) C

http://www.iamchrisfarley.com

https://youtu.be/6StPxZcaOIg

The Wolf Pack

(USA 2015)

The Wolf Pack is Crystal Moselle’s bizarre account of one family’s reclusive life imposed upon it by its weirdo patriarch in a public housing project on the lower east side of Manhattan. Forbidden to leave the apartment, pretty much everything the Angulo kids “know” comes from movies. The juxtaposition of the Empire State Building outside the small apartment’s window serves as a constant, nagging metaphor for their situation: trapped in a box inside one of the biggest and busiest cities in the world, watching but not participating as life goes on without them.

The Wolk Pack wowed me on many levels. Watching the Angulo pack get through an awkward trek to Coney Island shined a light on each brother’s personality, perhaps to illustrate nature-versus-nurture. The coping mechanisms they adopted, like acting out perfect imitations of Tarantino and Batman movies as an escape, were downright heartbreaking. To see that these kids, mostly boys, came out of this experience as relatively well-adjusted, cool people is fucking amazing.

(Music Box) A-

http://www.thewolfpackfilm.com

Love and Mercy

(USA 2015)

Easily the saddest story I’ve seen this year, Love and Mercy chronicles the beginning of Beach Boy Brian Wilson’s head trip and his later courtship with his wife, Melinda (Elizabeth Banks). I seriously doubted John Cusack as Wilson—even more because he looks nothing like Paul Dano, who plays young Wilson. My doubts proved wrong, because it works. Paul Giamatti plays a wonderfully evil physician with power of attorney over Wilson. Flashbacks to earlier days are effective and purposeful, unlike Saint Laurent. I have no idea how much was accurate literal history, but it thoroughly engrossed me.

Director Bill Pohlad’s previous films include Brokeback Mountain, 12 Years a Slave, and Wild.

(Landmark Century) A

http://www.loveandmercyfilm.com

Saint Laurent

(France 2015)

Ah, the dark side of genius. Saint Laurent is packed with eye candy and has an awful going on visually—but sadly, that’s all it has going for it. A line from Saint Laurent (Gaspard Ulliel) himself sums up the problem concisely: “I like bodies without souls”—the soul of Saint Laurent being somewhere else. Not here in this film.

I was bored, which is a crime considering the real-life material director Bertrand Bonelli had to work with. Some of his choices are puzzling—the temporal chopping effect going back and forth through time is more an annoyance than anything, and I’m at a loss as to why he devotes so much time to seemingly trivial events like a board meeting in New York and a drug trip in an apartment. Who gives a shit, and why would they? Ulliel as young Saint Laurent is charming, full frontal and otherwise; but not even he can elevate this pedestrian slice of an interesting life.

(AMC River East) D

http://www.sonyclassics.com/saintlaurent/mobile/index.html

I Am Big Bird: the Carroll Spinney Story

(USA 2014)

I Am Big Bird: the Carroll Spinney Story delivered what it promised: the life story of Carroll Spinney, who became an unlikely icon as Big Bird (not to mention Oscar the grouch). We get tidbits about his artsy mother and crabby father; his fascination with puppetry as a child; his chance meeting with Jim Henson; and nearly quitting Sesame Street during its first season because he didn’t fit in with the cast. We get archival footage and a healthy dose of nostalgia without going overboard. We also get new information; I never knew Spinney was supposed to be a passenger on the ill-fated Challenger mission in 1986, or that he has an understudy. It all adds up to a winner.

Despite everything right with this documentary, however, I left wanting more from it. I don’t know what I expected. Maybe more gossip? Dirt? A drug problem or behind-the-scenes sex? Something. I know, this is Sesame Street we’re talking about, so I accept my disappointment in the lack of any sleaze as my issue. Considering its subject matter, though, I Am Big Bird could have been more fun.

(Gene Siskel Film Center) C

http://www.iambigbird.com

Iris

(USA 2015)

A slice from the life of feisty millionaire fabric lady, NYC socialite, and longtime fashion maven Iris Apfel and her century-old husband, Carl. Crammed with quips and witticisms, observations, and tips on life and fashion, Iris is a much sunnier endeavor than the Maysles’ better-known Grey Gardens. Those bangles, baubles, and beads, oy!

I found Iris the person entertaining and mostly dead-on with her observations about life, but slightly annoying. She shares a birthday with Aaron, Michael Jackson, and John McCain, if that says anything. In any event, she was fun to watch, but Iris ended just before I couldn’t stomach any more.

(AMC River East) C+

http://www.magpictures.com/iris/

The Outrageous Sophie Tucker

(USA 2014)

Who was Sophie Tucker? Born Sonya Kalish in 1887, The Outrageous Sophie Tucker walks us through her rags to riches climb to the top of vaudeville in the early 20th Century and makes a strong case for her as the true original sassy, strong blonde—long before Madonna, Marilyn Monroe, and even Mae West.

Tucker seems like she was a riot: she stayed out all night and slept until afternoon, she had a girlfriend during the Depression, and J. Edgar Hoover (allegedly) wanted one of her gowns. Thoroughly enjoyable on multiple levels and from multiple perspectives, The Outrageous Sophie Tucker is historical, political, social, and even prurient (i.e., celebrity gossip from Hollywood’s Golden Era). It also celebrates early Jewish contributions to American entertainment—remarkable for a time when being Jewish wasn’t exactly kosher in America.

Minneapolis-St. Paul International Film Festival

(St. Anthony Main) B+

http://www.menemshafilms.com/outrageous-sophie-tucker

Matt Shepard is a Friend of Mine

(USA 2015)

Matthew Shepard’s legacy needs no introduction. This tender but powerful little documentary, however, sets out to show us who Matt Shepard was, as a person. Directed by Michele Josuehe, a friend from his teenage years at a Swiss boarding school, the film is packed with intimate details of his life that have not been shared—at least not on a mass level. Matt Shepard is a Friend of Mine shows Matt as an imperfect kid who was searching to find himself, like we all were at his age.

The film bravely confronts topics like Matt’s final hours, how his killers have fared, his parents’ decision to request (successfully) that the death penalty not be imposed, and a painfully uncomfortable interview with a priest about forgiveness. Although it takes a little while to get going and occasionally dips into nostalgia, Matt Shepard is a Friend of Mine is a worthy effort.

Screening followed by a live Q and A with director Michele Josuehe.

(AMC River East) B-

http://mattshepardisafriendofmine.com

Finding Vivian Maier

(USA 2014)

I had never heard of Vivian Maier. A kooky lady, she was a spinster who bounced around Chicago’s North Shore working as a nanny. Maier was a pack rat and a closet street photographer who took tens of thousands of photos, mostly between the Fifties and Seventies– and apparently filed them away. She died broke and unknown in 2009. A trove of photos and rolls of undeveloped film she shot and left behind was accidentally (or serendipitously) discovered just before being discarded from a storage locker.

The film starts off with her work, which is actually pretty cool. You can see it here:

http://www.vivianmaier.com

Next, it explores the artist’s identity through the eyes of those who knew her, mainly her employers and the children she was charged to watch. An unusual and dark character emerges. Very interesting. Maier will forever remain a mystery, but her work speaks for itself.

(Home via iTunes) B

http://www.findingvivianmaier.com