B-

Radical Grace

Link posted on by moviebloke

(USA 2015)

Catholicism and feminism are unlikely companions, but Rebecca Parrish’s Radical Grace shows that this may be changing. Three American nuns with different agendas face censure by the Vatican for their “radical feminsim:” Sr. Simone Campbell, a lobbyist for the Affordable Care Act, which runs counter to the Catholic Church’s stance on contraception and abortion; Sr. Jean Hughes, a champion for women’s leadership roles within the Church; and Sr. Chris Schenk, a life coach for ex-cons on Chicago’s west side.

Radical Grace is interesting on many levels, but its depiction of the similar changes occurring in the Church and in the United States– and all the conflict and tension that goes along with them– struck me. It’s amazing that some people refuse to give up, no matter how hard their fight is– even when their opponents make it personal.

(Gene Siskel Film Center) B-

http://radicalgracefilm.com

A Childhood [Une enfance]

Posted on by moviebloke

(France 2015)

Jimmy (Alexi Mathieu) is about 12 years old and has it rough: he’s already flunked a grade twice and is older than everyone in his class; socially awkward, he calls very few of his peers friends; he lives in a shitty state row house in a shitty neighborhood in a small industrial town in France; and he’s forced into the role of caretaker of his younger half-brother, Kevin (Jules Gauzelin), because his party girl mother, ironically named Pris (Angelica Sarre), is way too caught up in her no-good junkie drug-dealing douchebag boyfriend, Duke (Pierre Deladonchamps). Duke, who lives with them, is the antithesis of a positive role model: he throws parties all the time (even on school nights), sends the boys on a drug run, makes Jimmy stand guard on a copper heist, and literally pimps out Pris. Jimmy, already wise beyond his years, is growing up– he’s hitting puberty for fuck’s sake– and his growing assertiveness riles Duke. A series of events and a change in circumstances takes Jimmy to a crossroads where he may be rid of the asshole for good.

I recall reading somewhere that this screening of A Childhood was its American premiere. As a story, I liked this one. A lot. Both boys play their parts excellently, injecting pathos with every little episode they endure; I defy anyone not to smile at their hijinks or frown at their disdain for the distracting ever-present entourage of losers parading in and out of their home. Their bond is evident even in their bickering. Mathieu is especially tender when he portrays Jimmy caring for what he loves– letting Kevin sleep with him after a nightmare, holding his mother’s hand through heroin withdrawal, tending to a stray cat he hides from Duke in the back yard. More a character study of Jimmy than a true statement, some minor characters seemed superfluous and about 20 minutes could have been cut. The music was lame: some pseudo folky guy with an acoustic guitar singing blase sensitive English songs suitable for a douche commercial. Nonetheless, A Childhood is engrossing and satisfying despite its flaws.

(AMC River East) B-

Chicago International Film Festival

http://www.filmsdulosange.fr/fr/film/210/une-enfance

The Homecoming [Blóðberg]

Posted on by moviebloke

(Iceland 2015)

Despite an unexpected turn to more serious ground later, The Homecoming is a fun film overall. Empty nesters Gunnar Rafnsson (Hilmar Jónsson) and his wife Herdis (Harpa Arnardóttir) have great names and lead a comfortable but predictable upper middle class life. When their son, David (Hilmir Jensson), announces he is marrying his new girlfriend, Sunna (Þórunn Arna Kristjánsdóttir), who it turns out is also pregnant with their child, a couple of explosive family secrets surface and topple the relationship dynamics of all involved.

After a spate of heavy films, I was relieved to see a lighter one. The Homecoming is an interesting, well-paced story with a few surprising plot twists. It has wonderfully uncomfortable and hilarious scenes– particularly a dinner where the parents of the kids meet– and Sunna’s grandmother (Margrét Guðmundsdóttir) confronting Gunnar after a singing performance is a real treat. In the end, The Homecoming shows that we all can get past others’ transgressions if we really want to.

(AMC River East) B-

Chicago International Film Festival

http://www.icelandicfilms.info/films/nr/1554

The Passionate Thief [Risate di gioia]

Posted on by moviebloke

(Italy 1960)

A quirky trio—Tortorella (Anna Magnani), an aging film extra; her buddy, professional fraudulent claimant Umberto (Toto); and his partner in petty theft, Lello (Ben Gazzara)—converge through a series of mishaps on New Year’s Eve. Their conflicting agendas become clear as they move from one crazy character and mad caper to the next, ultimately ending up in church.

A decidedly unglamorous take on Roman life reminiscent of Hollywood “screwball comedies” of the Thirties and Forties, Mario Monicelli’s The Passionate Thief is a lot of fun despite a couple of tiresome scenes I zoned out on. Fred Clark’s portrayal of “the American”—loud, rich, and unsophisticated yet likable—made me laugh out loud.

(Gene Siskel Film Center) B-

http://www.rialtopictures.com/passionatethief.html

Gabriel

Posted on by moviebloke

(USA 2014)

Poor Gabriel– or “Gabe,” as he wants to be called. On his way home presumably after being discharged from a mental hospital, he takes a detour off his bus to search for an old girlfriend, Alice. In the process, he irks those he encounters and upsets his family, waiting to pick him up from the bus station.

If that sounds like a comedy, it’s not. Gabriel takes us along with Gabe (Rory Caulkin) through a series of episodes that reveal the extent of his illness and how it affects those around him. Nothing about this film is immediate, obvious, or predictable. Details of Gabe’s diagnosis, what led to his current state, and what happened between him and Alice (Emily Meade) are smartly scarce; these ambiguities mirror his hazy, muddled frame of mind. The upstate New York setting during winter with its drab color palette and chilly look effectively underscores the bleakness of Gabe’s situation.

Longer on character than story, Gabriel probably wouldn’t work without Caulkin, whose believeable performance makes us empathize not only with Gabe, but also his mother (Dierdre O’Connell) and older brother, Matt (David Call). For all its merits, though, I found Gabriel the character as tiresome as those around him seemed to find him by the end of the film. The ending, by the way, is appropriate even if it is frustrating.

(Gene Siskel Film Center) B-

http://www.gabriel-movie.com

She’s Funny That Way

Posted on by moviebloke

(USA 2015)

Peter Bogdanovich’s latest has been panned pretty much across the board, and I’m not sure why. Maybe it’s an homage to “screwball” comedies of yore and perhaps Woody Allen; maybe it’s a complete ripoff—I confess that I too thought of Bullets Over Broadway within, oh, fifteen minutes or so. Either way, She’s Funny That Way is actually funny even if it is fluffy. It also boasts strong performances all around, particularly by Jennifer Aniston as a neurotic, on-the-edge therapist.

Is it a film for which any of the actors in it will be remembered? Probably not. But I still enjoyed it.

(Gene Siskel Film Center) B-

http://lionsgatepremiere.com/shesfunnythatway

People Places Things

Posted on by moviebloke

(USA 2015)

A gentle and engaging sorta-comedy about breaking up, starting over, and hanging onto what’s important. If that sounds sappy, it is—“sentimental,” “sensitive,” and “bittersweet” are words that describe this film.

People Places Things has a good share of nice, quiet moments and truths, although a few bitingly cynical and hilarious scenes succeed in balancing it out. Regina Hall and Jessica Williams steal the show in their secondary roles as a mother and daughter who get involved in the life of protagonist Will Henry (Jemaine Clement). While People Places Things no doubt tugs at the heartstrings, it manages to avoid falling headfirst into “schlock.” I doubt it’s something I’ll ever seek out to see a second time, though.

(Gene Siskel Film Center) B-

http://www.peopleplacesthingsfilm.com

Best of Enemies

Posted on by moviebloke

(USA 2015)

This is the true story of the ten-night debates between William F. Buckley and Gore Vidal before the 1968 Presidential election. Culled mostly of footage from then-struggling third-place network ABC news archives, the best parts of the film are the debates themselves: Buckley and Vidal go after each other with biting, brutal wit. Best of Enemies highlights issues of class and ideology that we still see today—and amusingly shows things no one gets away with saying on broadcast television anymore.

I thought Best of Enemies would be more fun than it was. I also left the theater liking Buckley a lot more than Vidal, even though my personal politics are far more aligned with the latter. Buckley was charming; Vidal was not.

(Landmark Century) B-

http://www.magpictures.com/bestofenemies/

Cartel Land

Posted on by moviebloke

(USA 2015)

This one threw me for a loop. I expected an expose on the Mexican cartels, but that was just the backdrop. What Cartel Land is really about is the self-proclaimed “vigilantes” fighting the cartels on both sides of the border: Jose “El Doctor” Mireles, a Mexican shit-town physician running Las Autodefensas, and Tim “Nailer” Foley, a veteran running Arizona Border Recon. Boasting some intense on-the-ground footage, it isn’t quite clear who the bad guys are by the end. Total mindfuck.

(Music Box) B-

http://cartellandmovie.com

Dior and I

Video posted on by moviebloke

(USA 2014)

Frédéric Tchang’s peek behind closed doors at the preparation of designer Raf Simons’ debut for Dior. Oh yeah, and he only has eight weeks to create his collection. Will he pull it off?

Though Dior and I (thankfully) lacks the craziness of Project Runway, we still get to see the inner workings, stress, and low key drama surrounding Simons as he strives to maintain the integrity of the brand while adding his own individual point of view to it. Tchang juxtaposes archival footage of Mr. Dior himself, effectively serving as an homage without coming off as cheesy. And that flower mansion is fucking awesome!

(AMC River East) B-

http://www.diorandimovie.com