B+

The Laundryman [Qing Tian Jie Yi Hao] [青田街一號]

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(Taiwan 2015)

We all have demons, but not quite like those of the Laundryman (Joseph Chang). He is an anonymous hitman with a serious problem on his hands: the ghosts of his victims are following him around everywhere, rattling him and interfering with his job—which is done behind the scenes of a dry cleaning and laundry front. He enlists the help of funky, sassy medium Lin Hsiang (Wan Qian) to rid him of his demons, upsetting his boss, the icy hot femme fatale ex-psychiatrist A-gu (Sonia Sui), in the process. Danger, Laundryman, danger!

A dark comedy romance action thriller with the supernatural thrown in, I loved The Laundryman—and it has so much to love. It’s fun, colorful, and full of great energy. The story and the characters are clever and wonderfully strange, yet somehow plausible despite pushing the limits of ‘suspension of disbelief.’ The cinematography is sharp. The sets are loaded with delightfully tacky details without distracting from the action. Director Lee Chung plays with gender roles and archetypes, making his women fierce and the Laundryman the recipient of unwanted sexual advances. It all adds up to a ghastly good time: never cheesy or boring, The Laundryman is packed with action, suspense, and subtle humor that kept me through the end.

(AMC River East) B+

Chicago International Film Festival

http://ablazeimage.com/the-laundryman-info/

Grandma

Posted on by moviebloke

(USA 2015)

A day in the life of a cranky, emotionally blocked lesbian (Lily Tomlin) whose teenaged granddaughter (Julia Garner) appears on her doorstep to inform her that she’s pregnant and needs money for an abortion—scheduled for 5:30 p.m. that day. Part “road movie”—and I use that term loosely—the two embark on a mini Odyssey through Los Angeles that reveals who they are and where their limits lie.

Grandma has a lot to say about quite a bit: Sixties counterculture, feminism, sexuality, relationships, and yes women’s health issues. But it does so without getting overemotional or heavy-handed. I really wasn’t sure what I was walking into, and frankly my expectations were low. I left satisfied: Grandma is more complex than it lets on.

(AMC River East) B+

http://sonyclassics.com/grandma/

A Murder in the Park

Posted on by moviebloke

(USA 2015)

I love movies set in and about Chicago, especially since the time I moved here. I do not remember this, though: a group of Northwestern University journalism students under the direction of “advocate” Prof. David Protess reenact a 1982 murder at a South Side pool and conclude that it could not have happened the way police and the courts determined it did, persuading Gov. George Ryan to free a convicted killer (Anthony Porter), jail an innocent man (Alstroy Simon), and ultimately abolish the death penalty.

The problem is, the alleged killer was by all accounts probably guilty. Walking us through the facts, interviews with those involved, and the sloppy “investigation” of the students, filmmakers Christopher S. Rech and Brandon Kimber demonstrate a worst-case scenario of political correctness, academic corruption, and second-guessing those charged with solving crimes. It’s an interesting and even controversial film considering the current prevailing attitude toward law enforcement.

(Gene Siskel Film Center) B+

http://www.mipfilm.com

The Outrageous Sophie Tucker

Video posted on by moviebloke

(USA 2014)

Who was Sophie Tucker? Born Sonya Kalish in 1887, The Outrageous Sophie Tucker walks us through her rags to riches climb to the top of vaudeville in the early 20th Century and makes a strong case for her as the true original sassy, strong blonde—long before Madonna, Marilyn Monroe, and even Mae West.

Tucker seems like she was a riot: she stayed out all night and slept until afternoon, she had a girlfriend during the Depression, and J. Edgar Hoover (allegedly) wanted one of her gowns. Thoroughly enjoyable on multiple levels and from multiple perspectives, The Outrageous Sophie Tucker is historical, political, social, and even prurient (i.e., celebrity gossip from Hollywood’s Golden Era). It also celebrates early Jewish contributions to American entertainment—remarkable for a time when being Jewish wasn’t exactly kosher in America.

Minneapolis-St. Paul International Film Festival

(St. Anthony Main) B+

http://www.menemshafilms.com/outrageous-sophie-tucker

Monument to Michael Jackson [Spomenik Majklu Dzeksonu]

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(Serbia 2014)

After his wife leaves him, Marko (Boris Milivojevic) comes up with a way to revitalize his janky small Serbian town—and hopefully win back his wife, Ljubinka (Natasa Tapuskovic), in the process: he sets his sights on replacing a dreary old communist monument in the town center with something more exciting and “current:” a statue of the King of Pop, who he claims is attending its unveiling. You knock me off my feet now, baby…whooooo!

Monument to Michael Jackson is strange and wonderfully sublime, even if it is melancholy. The characters are realistic and fully developed, and the story is loaded with twists I didn’t see coming—like the reaction of many townspeople and the date of the unveiling (on May 25, 2009, the day Jackson died). I liked it, even with an ending that goes somewhere I was not expecting—at all. This definitely is not an American movie.

Director Darko Lungulov previously did Here and There, which I know from Cyndi Lauper’s title song for the soundtrack. Her husband, David Thornton, starred in it.

(St. Anthony Main) B+

Minneapolis-St. Paul International Film Festival

http://www.monumenttomichaeljackson.com

 

Happy Times [Tiempos felices]

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(Mexico 2014)

Breaking up is hard to do, but for thirty-something cartoonist Max Quintana (Luis Arreita) it’s impossible: he fails every time he tries to dump his domineering girlfriend, Monica (Cassandra Ciangherotti). When she misreads his intentions as a marriage proposal, he “hires” an agency to do his dirty work for him. What did he get himself into?

Wry, cynical, and weird, I really liked Happy Times. It was paced using a similar plot device that the Coen brothers use, which worked really well keeping the story moving along in an interesting way. This was fun to watch—and the ending is not happy. Bonus!

(St. Anthony Main) B+

Minneapolis-St. Paul International Film Festival

http://www.tiemposfelices.mx

Beatles

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(Norway 2014)

Four high school age boys in Oslo—Kim (Louis Williams), Gunnar (Ole Nicolai Myrvoid Jorgensen), Ola (Halvor Tangen Schultz), and Seb (Havard Jackwitz)—are not very different from most boys their age. They do things like steal hood ornaments from cars, get trashed at school dances, and stalk girls. They love the Beatles, so much that they each adopt a Beatles persona and hatch a plan start a band, the Snafus.

Based on Lars Saabye Christensen’s novel, Beatles is a sugar and salt (the name of a Snafus song) coming of age film. It’s sappy nostalgia celebrating a simpler time—think The Wonder Years with a cooler European bent. Set during the late Sixties, it hits a universal note that stops it from sliding into oversentimental dreck. I love all the Beatles references, and how well the film captures the feel of total devotion to a pop star. One scene in which the four boys stop everything to listen to Sgt. Pepper’s Lonely Hearts Club Band on the day it comes out is gold; it reminds me so much of my own idols in the MTV era. Performances are strong all around. Beatles is not the kind of thing I usually go for, but it is easily one of my favorites from the festival.

(St. Anthony Main) B+

Minneapolis-St. Paul International Film Festival

http://www.nfi.no/english/norwegianfilms/search/Film?key=103342

White God [Fehér isten]

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(Hungary 2014)

Tara Fass of Huffington Post was right on the mark when she called Kornél Mundruczó’s White God “a thrilling and visceral fairy tale.” This particular fairy tale traces the parallel paths of Lili (Zsofia Psotta), a brooding teenager handed off to her father (Sandor Zsoter) for three months, and her dog, Hagen (switch hitters Body and Luke), after the two are separated when Lili’s father abandons Hagen on the street. The two main characters– girl and dog– become increasingly feral left on their own. They’re brought together again after a series of events culminating in a beautifully orchestrated over-the-top canine takeover of the city reminiscent of Hitchcock, Disney, and Tarantino. Think of Old Yeller on crack. Not what I expected, which is what drew me in and kept me watching.

Bonus: all of the dogs in the film were strays that reportedly were adopted after shooting ended.

(Music Box) B+

http://www.magpictures.com/whitegod/

’71

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(UK 2015)

’71 is French television director Yann Demange’s finely crafted drama of a British soldier (Jack O’Connell) sent to Belfast to keep the peace amongst the rioting Catholics one day in 1971. After getting separated from his troop during a melee exacerbated by a child running off with a gun, he spends the next 12 hours or so fending off a band of IRA militants intent on killing him. The action is shot up close and in the dark, and the pace is perfectly nerve-wracking. More than just a “war movie,” ’71 is a thriller jammed with suspense and psychological drama that examines human nature and the instinct to survive.

(AMC River East) B+

http://71themovie.com/#/trailer

She’s Beautiful When She’s Angry

Video posted on by moviebloke

(USA 2014)

Mary Dore’s documentary about the rise, dissipation, and resurgence of women’s liberation paints a broad (no pun intended) picture of the movement itself while honing in on the many factions within it—lesbians, black chicks, even witches. Thorough, balanced, and fun, Dore’s ultimate point, sadly, is that American society has pretty much come full circle retrograde on many women’s issues like abortion and childcare. Not a dull moment, and well worth the time spent seeing it.

(Music Box) B+

http://www.shesbeautifulwhenshesangry.com