Grandma

(USA 2015)

A day in the life of a cranky, emotionally blocked lesbian (Lily Tomlin) whose teenaged granddaughter (Julia Garner) appears on her doorstep to inform her that she’s pregnant and needs money for an abortion—scheduled for 5:30 p.m. that day. Part “road movie”—and I use that term loosely—the two embark on a mini Odyssey through Los Angeles that reveals who they are and where their limits lie.

Grandma has a lot to say about quite a bit: Sixties counterculture, feminism, sexuality, relationships, and yes women’s health issues. But it does so without getting overemotional or heavy-handed. I really wasn’t sure what I was walking into, and frankly my expectations were low. I left satisfied: Grandma is more complex than it lets on.

(AMC River East) B+

http://sonyclassics.com/grandma/

People Places Things

(USA 2015)

A gentle and engaging sorta-comedy about breaking up, starting over, and hanging onto what’s important. If that sounds sappy, it is—“sentimental,” “sensitive,” and “bittersweet” are words that describe this film.

People Places Things has a good share of nice, quiet moments and truths, although a few bitingly cynical and hilarious scenes succeed in balancing it out. Regina Hall and Jessica Williams steal the show in their secondary roles as a mother and daughter who get involved in the life of protagonist Will Henry (Jemaine Clement). While People Places Things no doubt tugs at the heartstrings, it manages to avoid falling headfirst into “schlock.” I doubt it’s something I’ll ever seek out to see a second time, though.

(Gene Siskel Film Center) B-

http://www.peopleplacesthingsfilm.com

Ten Thousand Saints

(USA 2014)

Married team Shari Springer Berman and Robert Pulcini’s banal coming-of-age story clearly aimed at Gen X. Going by the references, the story takes place in 1987 and 1988 when New York City still had post-punk cool credibility. Crunchy Jude (Asa Butterfield) and his best friend, Teddy (Avan Jogia), meet urbane Eliza (Hailee Steinfeld), the daughter of the girlfriend of Jude’s dad (Ethan Hawke) who is slumming from Manhattan, at a New Year’s Eve party in Vermont. Events from that night lead Jude to New York, where he moves in with his father and reunites with Eliza, who it turns out is in trouble deep and has been losing sleep: she’s pregnant, and she’s keeping her baby, mmm. An unconventional family unit starts to gel with Teddy’s “straight-edge” brother, Johnny (Emile Hirsch), the singer of a punk band.

Too nostalgic for my taste and not exactly deep, Ten Thousand Saints is neither awful nor anything to write home about. I’m not sure what Ethan Hawke saw in the script– not that he picks the most interesting vehicles, anyway. Adapted from Eleanor Henderson’s novel of the same name. Meh.

(Gene Siskel Film Center) C-

http://www.sundance.org/projects/ten-thousand-saints

 

3-1/2 Minutes, Ten Bullets

(USA 2015)

Another heartbreaking story of another racially fueled shooting of an unarmed black teen, Jordan Davis, in Florida the day after Thanksgiving (“Black Friday”) in 2012. No one wins here: Jordan, his friends who were with him, his parents, Michael Dunn (the man who shot him), Dunn’s fiancé, and society at large. Marc Silver’s 3-1/2 Minutes, Ten Bullets succeeds in reaching beyond race to illustrate why “stand your ground” laws are fatally flawed.

(Gene Siskel Film Center) B

http://www.takepart.com/three-and-a-half-minutes-ten-bullets

Southpaw

(USA 2015)

I wanted to love this film. Sadly, I did not. Jake Gyllenhaal knows how to get to the core of a character, and Southpaw is no exception despite the annoying ghetto tough guy mumble he used for his character, Billy Hope, a fictitious boxer. The plot, however, is tedious and rife with clichés that aren’t even worth noting here—boxing and others. I also picked up a not-so-subtle racism that turned me off: the black or brown characters are one-dimensional and serve as either bad guys or helpers to Hope’s comeback. This struck me as particularly odd considering that the director (Antoine Fuqua) is black. A mildly interesting potential spark between Hope and his daughter’s social worker, Angela (Naomie Harris), was left undeveloped, dangling there through the movie like a wet snot. Yawn.

(AMC River East) D

http://southpawfilm.com

Best of Enemies

(USA 2015)

This is the true story of the ten-night debates between William F. Buckley and Gore Vidal before the 1968 Presidential election. Culled mostly of footage from then-struggling third-place network ABC news archives, the best parts of the film are the debates themselves: Buckley and Vidal go after each other with biting, brutal wit. Best of Enemies highlights issues of class and ideology that we still see today—and amusingly shows things no one gets away with saying on broadcast television anymore.

I thought Best of Enemies would be more fun than it was. I also left the theater liking Buckley a lot more than Vidal, even though my personal politics are far more aligned with the latter. Buckley was charming; Vidal was not.

(Landmark Century) B-

http://www.magpictures.com/bestofenemies/

Do I Sound Gay?

(USA 2015)

An informative and amusing exploration of the “gay voice,” that effeminate and often annoying over-the-top stereotypical way that so many gay men speak—and that one man (David Thorpe) wants to change. Thorpe looks to speech therapy and academia but mostly pop culture for answers, enlisting gay celebrities like Dan Savage, George Takei, and Tim Gunn along the way. Their responses reveal the conflicted attitudes gay men hold toward masculinity and identity.

Despite its merits, Do I Sound Gay? ultimately underwhelmed me. It provided useful tidbits of information, but nothing solid or groundbreaking.

(Gene Siskel Film Center) C

http://www.doisoundgay.com

I Am Chris Farley

(USA 2015)

A nice tribute to nice 90s Saturday Night Live alum and Tommy Boy star with nice commentary from family, friends, and celebs like Bo Derek, Lorne Michaels, Dan Akroyd, Mike Myers, David Spade, and Adam Sandler (among many others). And ‘nice’ is the problem: I Am Chris Farley does a nice job of giving some background and insight on what a nice guy Farley was, but unfortunately it digresses into a weird sanitized nostalgia. I imagine most people, like me, wanted more details about the events leading up to his untimely death at age 33, something touched on in a superficial and sweeping manner that turned it into the proverbial elephant in the room

Still, it did show some of his best skits (the Chippendales audition with Patrick Swayze and Matt Foley, motivational speaker, to name two). I guess we have to settle for that.

(Music Box) C

http://www.iamchrisfarley.com

Tangerine

(USA 2015)

A day in the life of two transgender prostitutes, Sin-Dee (Kitana Kiki Rodriguez) and Alexandra (Mya Taylor) of West Hollywood. Sin-Dee just got out of jail and is trying to tack down her fiancé/pimp, Chester (James Ransone), who failed to pick her up. Fellow trans hooker Alexandra lets out of the bag that Chester has been shacking up with a real girl (Mickey O’Hagen) while Sin-Dee was in the slammer. Sin-Dee shifts her plan and sets out to kidnap her. Did I mention it’s Christmas Eve? Thrown into all this is Armenian cab driver Razmik (Karren Karagulian), who is married and has a thing for Alexandra. Where is all this going?

Tangerine gets off to a shaky start, but director Sean Baker lets his characters develop into full-fledged people as the film rolls on and ultimately proves to be a beautiful story. With a pervading sense of loneliness, it makes a point about survival and needing to rely on others to do it. No man (or woman) is an island.

(Music Box) B

http://www.magpictures.com/tangerine/

Footnote: I tracked down Donut Time, the donut shop where much of the action in Tangerine takes place. It’s located at 6785 Santa Monica Blvd. at the corner of Highland. I used the ATM and bought a cruller. It was awesome.

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A Murder in the Park

(USA 2015)

I love movies set in and about Chicago, especially since the time I moved here. I do not remember this, though: a group of Northwestern University journalism students under the direction of “advocate” Prof. David Protess reenact a 1982 murder at a South Side pool and conclude that it could not have happened the way police and the courts determined it did, persuading Gov. George Ryan to free a convicted killer (Anthony Porter), jail an innocent man (Alstroy Simon), and ultimately abolish the death penalty.

The problem is, the alleged killer was by all accounts probably guilty. Walking us through the facts, interviews with those involved, and the sloppy “investigation” of the students, filmmakers Christopher S. Rech and Brandon Kimber demonstrate a worst-case scenario of political correctness, academic corruption, and second-guessing those charged with solving crimes. It’s an interesting and even controversial film considering the current prevailing attitude toward law enforcement.

(Gene Siskel Film Center) B+

http://www.mipfilm.com